From music to fashion, cross-disciplinary collaboration has always been at the core of my practice. Fashion, for me, is more than clothing, it is a mobile canvas where visual language merges with materiality, worn and embodied in everyday life. By working with fashion labels and designers, my work extends beyond digital screens and exhibition spaces, entering intimate, tactile dialogues with the body. These collaborations create spaces where image, sound, and fabric resonate together, blurring boundaries between art, design, and lived experience.
My friendship and collaboration with NUTEMPEROR began in 2018, when we first worked together on the New Fake collection prints. Since then, our creative exchange has continued through party visuals and other projects, growing into a long-term dialogue that feels both personal and artistic. What I deeply admire about NUTEMPEROR is its fearless sense of experimentation and its uncompromising vision. For me, the brand has not only been a collaborator but also an essential companion in my artistic journey – shaping, inspiring, and expanding the way I think about aesthetics and cultural expression.
“NUTEMPEROR was founded in 2016. Focusing on the beauty of individual imperfections, discovering the different possibilities between clothing and living things. NUTEMPEROR started a long-term project in June 2019. Each letter of the alphabet, from “Z” to “A”, represents one word and serves as a source of inspiration for the design. Starting with the most basic letters and vocabulary, each project involved a long-term experiment with a different theme. It is hoped that it will break through the fixed ideas and inertia of existing designs, and at the same time arouse inspiration for imagining the differences between various designs. ”
Beyond working with independent designers, I also remain open to collaborations with larger brands. For me, what truly matters is whether the opportunity allows space for creativity and authentic expression. If the conditions are right, I’m eager to bring my vision into new contexts, using these moments not only to expand my practice, but also to test how experimental ideas can resonate within a broader cultural framework.
Wang Jingxin 